::Acquired Taste takes a break
Activity on this blog will be reduced--possibly to zero--for the next week or so. I'm off on a week long creative writing course, and even more significantly, my editor Will Atkins has sent through his suggested edits for The Dog of the North.
Will's comments are eminently sensible; anyone who worked on the Vance Integral Edition will know that a rational and sympathetic editor is a jewel beyond price. Will has come up with half a dozen or so general observations, including the odd plot implausibility which really does need fixing. In addition he's made another 400 or so suggestions about word choice and clarity, which I'll need to work through one by one.
It's a strange feeling to find someone else now knows my work as well as I do. "Why would Beauceron say that?", "How can this happen when that has already happened?" The characters and story are no longer all mine in the way they were when I created them. That's not as unsettling as I'd thought it would be: there's something satisfying about entering that world again and seeing it through another's eyes. And I know, of course, that Will genuinely admires the book: his livelihood is making Macmillan New Writing a success, and he's staked some of his professional judgement on my story.
But for a week or so it means some hard work. A couple of the plot lapses Will mentions clearly need fixing, but I haven't yet worked out how to do it. A period of head-scratching ensues... but by Christmas, the text should be with the copy-editor, and another pre-publication hurdle overcome.
Normal service will resume in a week or so.
Activity on this blog will be reduced--possibly to zero--for the next week or so. I'm off on a week long creative writing course, and even more significantly, my editor Will Atkins has sent through his suggested edits for The Dog of the North.
Will's comments are eminently sensible; anyone who worked on the Vance Integral Edition will know that a rational and sympathetic editor is a jewel beyond price. Will has come up with half a dozen or so general observations, including the odd plot implausibility which really does need fixing. In addition he's made another 400 or so suggestions about word choice and clarity, which I'll need to work through one by one.
It's a strange feeling to find someone else now knows my work as well as I do. "Why would Beauceron say that?", "How can this happen when that has already happened?" The characters and story are no longer all mine in the way they were when I created them. That's not as unsettling as I'd thought it would be: there's something satisfying about entering that world again and seeing it through another's eyes. And I know, of course, that Will genuinely admires the book: his livelihood is making Macmillan New Writing a success, and he's staked some of his professional judgement on my story.
But for a week or so it means some hard work. A couple of the plot lapses Will mentions clearly need fixing, but I haven't yet worked out how to do it. A period of head-scratching ensues... but by Christmas, the text should be with the copy-editor, and another pre-publication hurdle overcome.
Normal service will resume in a week or so.
1 comment:
Isn't is great, having labored over something in isolation for so long, to have a little collaboration toward the finish line?
Working with Will was a joy. Take your time and relish the process.
You'll have plenty more splendid isolation soon.
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